Odia Mahabharata
In this post I am not answering any questions about Krishna, although there are questions which I have to answer some day, but am trying to look at him from a certain perspective. He arrived in the world as its protector, but I have sometimes wondered, whereas his being the protector is fine, at the …
Continue reading "KRISHNA AND THE WORLD HE CHOSE TO LIVE IN"
Commenting on the post “Why did Karna Want to Kill Arjuna?”, Mr. Confusedclarity observes that friendship with Duryodhana alone couldn’t be a strong enough motive for Karna to be so determined to kill his brother Arjuna. What he says is eminently reasonable, but Sarala’s narrative seems to suggest that for Karna, friendship was indeed an …
Krushna Singh, the king of a small kingdom in what is today’s Southern Odisha, retold Vyasa’s Mahabharata in Odia, which is popularly known as “Krushna Singh Mahabharata”, more than two centuries after Sarala had composed his magnum opus. Noting that the great Sarala had deviated considerably from the classical narrative, he wanted to give the …
when in Sarala’s narrative he knew right from his childhood that he was his brother? Why was he so focused on killing him? In the Kurukshetra War brothers didn’t kill brothers; cousins were the targets. Incidentally in Vyasa Mahabharata too Karna was no less determined to kill Arjuna. It is just that he got to …
He said more than once in his Mahabharata that he was born to write Vishnu Purana. He repeatedly called his composition “Vishnu Purana”. For him the story of the Kurus was worth telling because it gave him the opportunity to describe the lila of Vishnu in his avatara as Krishna. His Mahabharata incorporates episodes from …
Continue reading "WHAT DID SARALA SAY ABOUT THE PURPOSE OF HIS COMPOSITION?"
Some of my friends and well-wishers, quite a few of whom I have not yet had the opportunity to meet, have asked me questions and made comments and observations on Sarala Mahabharata in their correspondence with me over a period of time. I am grateful to them for their interest in Sarala Mahabharata and for …
Continue reading "RESPONSES TO QUESTIONS, COMMENTS AND OBSERVATIONS"
When Yudhisthira reached the top of Himagiri, he saw around him four distant, tall, snow-clad mountains which, he had heard from the sages, were sacred: one was associated with the Sun god, the other three with Indra, Ananta Narayana and Shiva. Above him was the sky, and above the sky was swarga. The top of …
In a significant sense his mother Kunti had killed him before the Kurukshetra War started. Indra had done so even before. In the guise of a brahmin. Responding to the pleadings of his son, Arjuna, he had taken away from him his divine protections, which were part of his body. He had to tear open …
There was nothing dramatic about the death of Arjuna, Nakula and Sahadeva in Sarala Mahabharata. Unlike Bhima’s death. Weak, hungry and tired in the extreme, these three brothers were unable to cope with the terrible weather in the snowy, windy Himalayas and one after another Sahadeva, Nakula and Arjuna in that order slipped as they …
Bhima was surprised, worried and pained at Yudhisthira’s words which were plain, unambiguous, unkind and harsh - the language that truth often uses. Yudhisthira had just condemned the dying Draupadi as the cause of the Great War that had destroyed the Kauravas, who were his brothers, and their relatives, who were the Pandavas’ relatives too. …
